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Apple社のLogic Pro（ロジック プロ）の初心者用レッスン記事です。最近バージョンLogic Pro Xにも対応。基本的な使い方や操作方法、コツなどを動画で解説しております logic pro x tips & some more. メニュー. Aboutなど サブメニューを展開. About · 音ゲ関連ログ · Quadrifoglio
Logic Proの使い方 初心者編 – How Do You Mix And Master In Logic Pro X?
Hit F to adobe illustrator cc minimum requirements 自由 up the Project Browser on the right hand side, giving you access to your 4 audio tracks.
Drag your mix file onto the Current tab in Match EQ, and one of the reference tracks onto the Reference mixing tips logic pro x 自由. Then, on the EQ Curve, hit Match. The plugin will create an EQ curve that visually demonstrates the differences in frequency spectrum between your mix, and your reference. Now go ahead and do the same for the other 2 logicc, using the other 2 instances of Mixihg EQ.
For example, it appears our mix has quite a few challenges in the low end. Compared to the references, we have a lot of energy around 80Hz, and not a lot in the Hz range. Our mix also appears to be lacking mixijg lot of high end, dropping yips significantly around 12kHz. The golden rule, as with loyic, is to use your ears, not your eyes. You should compare any trends noted from Match EQ to the notes you took when listening and comparing. This is simply an example, and is actually using an unfinished mix to demonstrate how you can use Match EQ to mixing tips logic pro x 自由 up your music production.
One of the principles in mastering is measuring. That is, using tools to measure things such as:. Logic Pro X has a number of measurement tools including a Loudness Meter, Mixing tips logic pro x 自由 Meter, and Level Meter, all of which can be found in the Metering mixing tips logic pro x 自由 under Audio FX. txt you changes in frequency as they happen. There is no set goal for what this should look like across a mix; think about the different frequency settings on your car radio, iPod or rpo Spotify.
For example xx our mix, Hz is coming through really strong. We might use an EQ to cut a little in this area. Loudness is a contentious topic loglc mastering, as it has been the subject of abuse for mixing tips logic pro x 自由 years now. Remember how the human ear identifies louder sounds as subjectively better? Well, mastering engineers or more accurately the record labels that hired them learned how to use this to their advantage by using a lkgic to make finished tracks louder and louder.
This resulted in something called the Loudness War, which ended up sacrificing the beauty in oro and its dynamic range in favour of overly compressed or squashed tracks that appeared louder.
Loudness is still an issue in contemporary music, though mixing tips logic pro x 自由 has been stamped down by new limitations enforced by streaming and broadcast companies. All the way, logjc to retain the nuance and dynamic range that tpis music music.
Tricky, huh? We are going lkgic do some more comparison to our reference tracks here; load the MultiMeter onto the Stereo Output, and listen to the loudest section of your reference tracks one by one. Pay attention to the LU-I integrated value displayed at the top of the LUFS meter. Note down the value it will change over time so find an average jixing or note down a olgic e.
Do this for all 3 reference tracks and compare the values, this will give you an indication as to how much squash or compression is acceptable for the genre you are working in, and what the loudness level of your master should look like. For example, heavy rock tracks will typically feature a lot more compression and therefore be a lot louderthan say, a 20 minute free form jazz odyssey. Phase shift is a natural by-product of Tip and is something you can get away with on individual tracks, but it can cause problems for the master.
The Multipressor has 4 bands, which you can tweak as desired by dragging the lines that designate the band boundaries. This is because we have an overly dynamic low end, where certain bass notes, when combined with the kick drum, are pushing through louder than others. As with a regular compressor, you have access to controls such as ratio, threshold, attack and release, to fine-tune the compression to your needs. You also have the ability to solo or bypass a band, so you can hear it in isolation and listen to the applied compression.
At the top of the GUI, you will see a blue band moving as the compressor works. This demonstrates the gain reduction applied by the compressor. The first thing we are going to do is set the Output Ceiling to This gives us a little bit of a safety net.
When it comes to digital audio, overloads are something you want to avoid like the plague. Whereas analog gear can overload and create a subtle distortion that is often desirable, digital distortion sounds like fingernails on a chalkboard. Or rubbing polystyrene together. Or a poorly played violin. Or, a polystyrene violin scraping across a chalkboard.
We do this because although plugins are extremely quick, they are never infinitely quick. Even computers need time to process. So, to be extra safe from overloads, give yourself a little safety net. This basically filters out anything below 20Hz, which is below our hearing range anyway, and prevents anything weird from happening to your speakers.
This is an important part of mastering, as you need to be able to determine whether your limiting is creating any negative artefacts such as distortion or over-compression. Now, turn up the gain until your loudness matches the notes you made when you compared your references and your mix.
When you mixed your track, you worked in the stereo field using pan, panning instruments left and right and creating space for each of them. Well, you can play in this field in mastering too, using stereo widening tools. Remember how we said mastering engineers stripped off their lab coats in the 80s and became part of the creative team?
digital, CD, vinyl. The standard format for mastered tracks is a 16 Bit WAV file at Dither is a way to hide these side effects. Logic offers three different types, check them all out and see which you prefer. As a mastering engineer, mixing engineer, recording artists or bedroom producer, you never stop learning. Why not leave a comment below, and share some of your mastering tips? Read more. Easter Sale SZA I Hate U Free Logic Pro X Template. Start typing and press Enter to search.
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