Best Audio Interface for Logic Pro X | AudioAssemble
Here are 3 reasons: Stellar preamp and output conversion and quality. Deep integration with Logic Pro and Mac systems. Zero-latency monitoring with Apogee’s own plugins that can run off their interfaces. (But can also run natively in Logic without an Apogee interface.) As a result, I own both an Apogee Symphony Desktop and Ensemble (and. Jun 03, · This shouldn’t be surprising, of course. A keyboard that works with Ableton or Pro Tools is also going to work with Logic Pro X. The MIDI interface is, after all, about interoperability. But the hardware isn’t the only place where the Akai MPK shines. It also boasts some great software features. including Logic Pro – free you. May 02, · The Tascam US×08 is arguably among the best USB audio interface that can comfortably connect with Logic Pro X. This is due to its great sound preamps that provide quality audio recordings and outputs. With this interface, you will be able to record 8 mics simultaneously which is a massive plus.
Logic pro x interface hardware free. www.makeuseof.com
Jun 03, · This shouldn’t be surprising, of course. A keyboard that works with Ableton or Pro Tools is also going to work with Logic Pro X. The MIDI interface is, after all, about interoperability. But the hardware isn’t the only place where the Akai MPK shines. It also boasts some great software features. including Logic Pro – free you. Mar 07, · Downloads: 2,34, We assure you it is not as hard as it sounds. As anyone related to this field must already know Logic Pro is one of the most competent MIDI sequencers available. The application comes packed with a variety of features necessary for professional use. It ranges from software instruments, audio effects to recording facilities. Mar 13, · Now in its 3rd generation, Focusrite’s boasts the Scarlett as “the most popular USB audio interface series in the world.”. 2. Universal Audio Apollo Twin X. There’s no arguing that Universal Audio has taken the audio world by storm with their line of Apollos.
Everything You Need to Start Recording Music With Logic Pro X – Additional menu
Your audio interface has a massive impact on your production. This is the first piece of gear I recommend to anyone starting on their production journey — before they even get a pair of studio headphones. After all, the audio interface is the hub that connects your hardware mics, headphones, instruments with your software DAW.
As a Logic user, you are spoiled for choice when it comes to choosing audio interfaces. Logic has a massive chunk of the DAW market and is still one of the top choices for serious and hobbyists alike.
Logic users also benefit from Mac’s dominance in the creative fields. Most brands give Mac compatibility a top priority, which means that outside of a few cases, any audio interface you choose will run smoothly on Logic.
To help you out, we put together this list of the interfaces available right now, and the features you should consider when buying. His first experience with electronic music production dates back to Cubase 3. He lives in San Diego and freelances as a producer and part-time DJ. Readers of this blog know that we’ve highly recommended Focusrite’s Scarlett range in the past it topped our best audio interfaces list. But as good as the Scarletts are, the Clarett range is even better.
They feature Focusrite’s top-of-the-line Clarett mic preamps and boast better latency than the Scarletts. Focusrite Clarett 2Pre is my best audio interface for logic pro x in this list because its USB range is uniquely designed to offer more exceptional performance, low-noise on mic pres and low distortion.
This audio interface features an ultra-linear design which enhances the production of open, clean, and transparent sound, thus giving a more accurate depiction of the original act. It also features a specially designed new software that makes configuration of the monitor and routing setups easy. Besides, this device is not only simple and easy to use; it also offers a conventional mixer workflow; while allowing for instantaneous access to the internal hardware.
When detached from the source of power, you have no reason to worry. Therefore, the Clarett 2Pre USB is very portable because the user has one less power supply problem to handle.
It comes with only one headphone out port and has latency issues with specific computers. Regardless of where you set the latency, it keeps clicking and popping all through the recording process. This device is not only the best audio interface for Logic Pro X but also the most popular for artists throughout the audio interface genre. The 3rd Gen Focusrite Scarlett 2i2 is designed with two microphones, lines, and instruments input features, thus enabling concurrent playback as well as recording with up to two channels both with self-controllable monitor and headphone outputs.
Focusrite Scarlett 2i2 3rd Gen audio interface comes with two advanced Scarlett mic preamps both with an optional air setting to replicate the air effect and give your acoustic and vocal recordings a cheerful and more open sound.
It is one of the simplest USB audio interfaces made by Scarlett. Provided you have a voice and want to create a quality recording using the guitar; then this 3rd Generation Scarlett Solo is the best choice for you. Its audio interface has switched to a USB C connector which requires a separate driver. The new driver drops the connection after an extended period. The bundled software is not ready to use and requires many signups and registration during setup.
Recommended for: Perfect entry-level budget interface for any producer. Works great with nearly every DAW and costs less than most of its competitors.
It offers the best desktop audio interface for conversion and production of typical analog sound. This device comes with a class-leading resolution, real-time UAD processing, and unison preamps. Apollo Twin MKII takes your desktop music production experience to the next level following the advancement of technology in the present day. Also, it has new monitor options such as talkback and alt monitor switching that enables remote control of the monitor through Thunderbolt. Nothing major — except for the price.
We would have liked it more if it came with its own USB cable. Recommended for: Ideal for anyone recording professional or studio-quality sound. This audio interface comes with modernized, efficient hardware features, and radical software control. This device features microphone preamps which are essential for recording dynamic vocals, powerful drums, or delicate strings that may require a quality mic preamp to enable it to capture the best details of the act.
The Element series also comes with Thunderbolt connectivity functionality that offers rock-solid stability and unbelievably low-latency performance.
Recommended for: Easily one of the best interfaces when it comes to sheer audio quality. Perfect for anyone who needs serious, studio-grade sound. This system takes advantage of the high-speed Thunderbolt 2 bus with a no-frills, and direct-to-DAW or no DSP added signal path to realize very low latency.
If you are using mac devices, it may fail to recognize it because the mac machine blocks it. Akai essentially packs in a huge number of features into a tiny device. Its dimensions are smaller than a laptop’s and it weighs just about the same as an iPad Pro. Then there are the software features. There are plenty of flaws — the keys aren’t great for playing and the pads could do with an upgrade.
This essentially reduces the impact a pad controller can have in your studio or live performance environment. This is the reason why top pad controllers support Ableton out of the box. You can remap them to support Logic Pro, but it requires a bit of effort. The APC40 continues on that robust tradition with one of the best designed and best-built pad controllers on the market.
Everything about this unit screams quality. The pads have a MPC-like responsiveness. And the knobs have a clickiness that makes using them a delight.
This has also led to a reduction in pad size, which are now RGB backlit i. There is a huge array of buttons below the pads, plus a set of directional arrows to control the DAW. The major issue which is true for most pad controllers is poor Logic Pro integration. There are few brands I trust more to make high-quality keyboards than Roland. Their controllers are never quite as jazzy as the latest Nektars, nor quite as hyped as Akais, but they always deliver where it matters the most: key quality and playability.
The key version of Roland’s mid-range controller, the APro compare price Amazon , Guitar Center — is no different. This not only feels better, but also has a non-slippery surface — great when you’re sweating after a long jamming session. That’s not all. The keyboard has custom velocity settings. You can adjust the velocity curve to match your playing style.
Turn it high if you really like a fast, responsive keyboard. Turn it low if you like to dig your fingers in and belt tracks out. The keyboard isn’t the only thing on offer, of course. Not everything is perfect. The dynamic pads are tiny, and the knobs move a little too freely. The faders also don’t have the mechanical heft of the keys. But if you’re willing to overlook them for the fantastic keys, you’ll love this Roland.
And then there are times when you’d rather have something tiny that can squirrel away in a corner of your desk. It’s just about a foot long and is so light that its official weight is in ounces, not pounds FYI, it’s about 0. Which variant you buy and how you use it will vary a lot. A lot of producers I know use the 8 fader variant as a makeshift mixer. Others use the key variant as a highly portable keyboard. Given the price, you can even buy all three and change them around based on what you need at the moment.
There some obvious flaws on the Nanokey. The silicone buttons tend to get stuck. And the faders are plasticky. But it will complement one nicely. But it if you want something highly portable, or if you already have a full-sized keyboard and want something to complement it.
Namely, have good and the right number of keys, have plenty of controls, and integrate well with Logic Pro. Keyboard controllers are great for composition. You get full-sized piano keys that makes it easy to play chords and melodies.
Pad controllers are great for launching clips and creating spontaneous compositions. If you want to hammer out a few drum patterns or take control of your music on the fly, you should choose this option. There is no sessions view like in Ableton, which limits what you can do with pad controllers.
Hybrid controllers offer the best compromise between controls and composition. A good hybrid controller would give you between pads as well as full-sized keyboards. This way, you can launch clips, hammer out drum patterns, and compose entire tracks — all from the same controller.
Unless you have extensive piano playing experience, I would recommend that you stick to hybrid controllers. Another option — which a lot of pro producers follow — is to get a regular keyboard controller and pair it up with a dedicated pad controller. Think of a setup like this:. This would give you the best of both worlds — a full-sized keyboard for composition, and a pad controller for controlling your DAW.
Your best option is to spring for semi-weighted keys. These tend to be on the expensive side but offer better playability and comfort. If your goal is to just enter MIDI notes and play out a few chords or melodies, synth-action keyboards will work perfectly fine.
MIDI keyboards come in a range of key sizes, going all the way from 25 keys to full-sized key keyboards. Anything beyond 32 keys makes it difficult to keep the keyboard size and weight low enough for lugging around. But portability comes with its own compromise — smaller keys. Most portable keyboards reduce the width and length of keys to fit them into a small form factor.
This greatly impacts their playability, especially if you have fat fingers as I do. I usually recommend people to get a regular 49 or key keyboard for their main studio use, and buy an additional mini keyboard for carrying around.
If you have a smaller desk, it could completely ruin your setup. So before you spring for a larger keyboard, measure out your desk. You should at least have 3 feet of extra space before you even think of getting anything beyond 49 keys. As much as the idea of a full-size key keyboard is appealing, it is just plain overkill for most musicians. Nor will the EDM or hip-hop pieces they produce ever involve complex melodies that require simultaneous bass and tenor keys.
Plus, larger keyboards are plain intimidating. On the flip side, anything below keys also impacts playability. For most people, keys represents the ideal size. It gives you access to four octaves of range. If you plan on playing slightly more complex pieces, you can upgrade to a key keyboard. But otherwise, 49 keys is more than enough. In my case, I rely minimally on keyboard controls. I use my desktop keyboard shortcuts for most things.
The keyboard is used mostly for entering notes, practicing melodies, and playing chords. A MIDI controller with more than a handful of control options is just overkill for my taste. Great for people who like a more intuitive approach to their music production. But production styles evolve. You might think that your style requires minimal use of controls, but that might change a year down the line. If it has DAW control options built in, even better. This will give you enough room to adapt new playing styles.
As a general rule, your budget will impact your choices as follows with respect to 49 key controllers :. Go for this range only if you want a secondary controller that emphasizes portability. Look for semi-weighted keys since this will improve the playing experience substantially. That said, there are some controllers that are designed for specific DAWs such as Ableton Push — designed for Ableton. Just keep this in mind when you make a purchase.
If the controller specifically says that it supports a specific DAW, it might be a good idea to pick something else.
I can understand the confusion — MIDI isn’t a specification you’re likely to encounter if you’re new to music. I’ll answer some brief questions about MIDI controllers and keyboards below to help you figure out this product category better. The early s was exciting time for electronic music. The big names you know and recognize today — Roland, Akai, etc.
The major synths and devices that shaped music in the 80s and 90s were invented around this time, including the Roland TR drum machine, the Juno synth, etc. Think of the way Apple creates its proprietory connections and imagine an industry filled with dozens of such companies.
The founder of Roland, Ikutaro Kakehashi, knew that for electronic music to advance, there was a need for devices to talk to each other. So working with other manfuacturers, including Yamaha, Korg, etc. MIDI 2. For instance, you might have a MOOG synth. If you want to play music using this synth, you need to connect it to a keyboard.
MIDI makes it possible for the two devices to talk to each other. MIDI controllers can be in any shape or form. They can be in the form of a guitar, a wind instrument, a drumpad, or most popularly, in the form of a keyboard.
While each form might be designed to replicate a particular instrument, they all do the same job: pass MIDI instructions from one device to another. Just as you have everything from computer mice and keyboards to speakers and fans powered by USB, you also have a range of instruments that use the MIDI protocol to pass instructions from one device to another. This information only tells the device in our case, a computer running a DAW like Ableton what notes it has to play, and how long it has to play them.
There is no audio information yet — that has to be supplied by the other device.